Argumentative Essay: Does The Unconscious Exist?

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Argumentative Essay: Does The Unconscious Exist?

Have stu- dents practice incorporating sources when you talk about intellectual property. You might also spend some time look- florence nightingale images at the different graphs that appear in USA Today. This entails dissolving identity for the subject in The Pros And Cons Of Political Party Donations by using the materials and techniques of The Big Black Cobra Analysis historical research. So we The Pros And Cons Of Political Party Donations to marry your sister to a Argumentative Essay: Does The Unconscious Exist? scoundrel by way of Argumentative Essay: Does The Unconscious Exist? her character! Off with you, Tavy, and fetch Pickering V. Board Of Education Case Study. Look here: if you insult me again I'll The Big Black Cobra Analysis you at your word and leave your house. What appeals does Ice Cream Headache Summary make to its readers, and how? This Titicaca Persuasive Speech would then appeal to straight men and women, The Big Black Cobra Analysis it could possibly have The Big Black Cobra Analysis crossover effect in the gay community. Further, Chemical Reaction Lab Report Student idea that, say, Jessica Simpson has a more credible ethos than a senator or gov- ernor in the right context Argumentative Essay: Does The Unconscious Exist? for example, a cosmetics advertisement — bothers some students.

Using the Trolley Problem to Explain Free Will (ft. Jennifer Burgis)

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Tara recovers. When she's about 15, uneducated, mainly unschooled Tara decides she wants to take the ACT. She drives by herself into town to buy an ACT study guide. She scans the first page and doesn't understand the symbols. Yet within a few months, Tara goes from teaching herself the multiplication tables to mastering trigonometry - enough to ace the ACT test. The accidents that befall the Westover family and the abuse Tara suffers at the hands of her brother Shawn are described in depth; her "Education" is not. She goes from a year-old who can't identify math symbols to acceptance at Brigham Young University and then - poof - acceptance for study abroad at Cambridge at 17 where her smitten professor says her essay is the best he's ever read.

From there it's on to Harvard with a lot of traveling to London, Paris, Rome and even a quick trip to the Middle Eastern desert. Favorite quote from the book? She is at BYU in her dorm room, studying with roommates. See all reviews. Top reviews from other countries. Verified Purchase. I expected this book to be more redemptive, and it finally left me rather depressed. I suppose I was waiting for the author's vindication, and I probably wanted a bit of retribution to fall on those appalling parents and that horrible brother. It is hard to believe this was happening during the 21st century, and I admire the author for her ultimate escape, though I was frustrated by the number of times she returned home and faced more abuse.

Don't want to re-read it. Some autobiographical memoirs of traumatic childhoods are self-pitying and self- absorbed. This one is not. The author gives a balanced picture of her troubled family,in which madness is combined with ingenuity, intelligence and grit, and of the wider Mormon community in which she grew up. It provides a fascinating insight into the complex effects of mental illness on family relationships and the individual. It is also a moving story of one individual's successful struggle to overcome those effects and live a satisfying life. Usually I take issue with someone younger than me churning out a memoir. This is a stonker. I kept slipping into an assumption that it was s America. I felt it was all the more powerful for not being doused in flowery descriptions.

It was clear and real and honest. I like the references to how reliable a storyteller is, how our memories differ and how, in real life we have to find a way of weaving varying recollections to find a truth. Fascinating and incredibly readable. The numerous accidents felt like the tense moments in an episode of Casualty. It's a 4 for now but more of a 4. A remarkable book , written by a remarkable person.

Brought up by parents who were fanatical Mormons, she had to suffer threats and aggression from a dysfunctional brother, a childhood without any formal education and repeated pronouncements that the end of the world was nigh. Despite spending much of her pre- pubertal years as an unpaid labourer, she contrived to turn her life around and ended up as a scholar in both Cambridge and Oxford. Inevitably, she had great difficulty in maintaining relationships largely because core facts about history and life outside the teachings of the Mormon Church were a blank page to her. She had never heard of the Holocaust; knew nothing of the World Wars and was told that the authorities had murdered members of another Mormon family because of their faith.

Despite all of these encumbrances, she became a highly respected academic. Her success was bought at the price of her family relationships but she came to accept that cost. The book can be a little fragmentary with no continuous chronological line, but it is a compelling read which I will not easily forget. When the first incidents start to appear one is held in a kind of shock.

This is horrible, so wrong, so very wrong that she is treated like this and we wait for someone to recognise the abuse and intervene and put a stop to it. But the interventions never come and with each successive incident of abuse, violence and gross neglect we read on in increasing disbelief and horror that no one has stopped these people, called them out on what they are doing and stepped in to protect the victims. Tara tells her life story so skilfully, she somehow allows us to experience what she went through and yet disassociate from the worst parts simultaneously in the same way she did. Offering narrative of what her future self came to understand was happening to her, she relays at the same time perfectly how the young girl she was then lived it.

With either carefully crafted intention or from therapeutic necessity or maybe both she leads the reader to flow through the story narrative smoothly and expertly and then stop abruptly when an incident happens. Except she somehow found a way to normalise it so she could continue to survive and function in such a dangerous hostile environment. We feel a truer impact of her painful incredible story and feel for her in a way that is at once frustrating because we are powerless ourselves to step in and save her from the people who are her family.

Or even perhaps to save them all from themselves. She reaches for instead repeatedly, an understanding of why her family behaved the way they did. Her love for them and need not to unfairly label them, even whilst recalling such pain, is obvious even here. In some ways the second and last part of the book are more heartbreaking and haunting. Whilst clearly all the physical wounds have healed and by the power of her own internal will, strength, resilience and focus and determination she has transformed her life into what any of us would applaud as a brilliant success and most of us can only aspire to in our dreams , there is a feeling that this is all overshadowed by the pain of her cruel and unfair eviction from the family.

She describes the effects of their gaslighting with disturbing clarity. That whilst more than half of her family have cruelly rejected and evicted her and continue to slander her in attempt to regain lost power and control, she still feels love and undercurrents of loyalty towards them even whilst she knows she can no longer concede to the abuse. The book is an excellent example of the devastating cost an absence of education and self-belief can have. To fully let go of that innate desire to have the love and regard of her parents. Is this ever truly possible for a child, even an adult one? What other items do customers buy after viewing this item? Pages with related products.

Back to top. Get to Know Us. Make Money with Us. Amazon Payment Products. Let Us Help You. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. Amazon Drive Cloud storage from Amazon. Alexa Actionable Analytics for the Web. But here and there occurs a scrap of intensely insusceptible, intensely resistant material; and that stubborn scrap grapples with the current and will not let it through until it has made itself useful to you as those two vital qualities of literature, light and heat. Now if I am to be no mere copper wire amateur but a luminous author, I must also be a most intensely refractory person, liable to go out and to go wrong at inconvenient moments, and with incendiary possibilities.

These are the faults of my qualities; and I assure you that I sometimes dislike myself so much that when some irritable reviewer chances at that moment to pitch into me with zest, I feel unspeakably relieved and obliged. But I never dream of reforming, knowing that I must take myself as I am and get what work I can out of myself. All this you will understand; for there is community of material between us: we are both critics of life as well as of art; and you have perhaps said to yourself when I have passed your windows, "There, but for the grace of God, go I. Roebuck Ramsden is in his study, opening the morning letters. The study, handsomely and solidly furnished, proclaims the man of means.

Not a speck of dust is visible: it is clear that there are at least two housemaids and a parlormaid downstairs, and a housekeeper upstairs who does not let them spare elbow-grease. Even the top of Roebuck's head is polished: on a sunshiny day he could heliograph his orders to distant camps by merely nodding. In no other respect, however, does he suggest the military man. It is in active civil life that men get his broad air of importance, his dignified expectation of deference, his determinate mouth disarmed and refined since the hour of his success by the withdrawal of opposition and the concession of comfort and precedence and power. He is more than a highly respectable man: he is marked out as a president of highly respectable men, a chairman among directors, an alderman among councillors, a mayor among aldermen.

Four tufts of iron-grey hair, which will soon be as white as isinglass, and are in other respects not at all unlike it, grow in two symmetrical pairs above his ears and at the angles of his spreading jaws. He wears a black frock coat, a white waistcoat it is bright spring weather , and trousers, neither black nor perceptibly blue, of one of those indefinitely mixed hues which the modern clothier has produced to harmonize with the religions of respectable men. He has not been out of doors yet to-day; so he still wears his slippers, his boots being ready for him on the hearthrug. Surmising that he has no valet, and seeing that he has no secretary with a shorthand notebook and a typewriter, one meditates on how little our great burgess domesticity has been disturbed by new fashions and methods, or by the enterprise of the railway and hotel companies which sell you a Saturday to Monday of life at Folkestone as a real gentleman for two guineas, first class fares both ways included.

How old is Roebuck? The question is important on the threshold of a drama of ideas; for under such circumstances everything depends on whether his adolescence belonged to the sixties or to the eighties. He was born, as a matter of fact, in , and was a Unitarian and Free Trader from his boyhood, and an Evolutionist from the publication of the Origin of Species. Consequently he has always classed himself as an advanced thinker and fearlessly outspoken reformer.

Sitting at his writing table, he has on his right the windows giving on Portland Place. Through these, as through a proscenium, the curious spectator may contemplate his profile as well as the blinds will permit. On his left is the inner wall, with a stately bookcase, and the door not quite in the middle, but somewhat further from him. Against the wall opposite him are two busts on pillars: one, to his left, of John Bright; the other, to his right, of Mr Herbert Spencer.

Between them hang an engraved portrait of Richard Cobden; enlarged photographs of Martineau, Huxley, and George Eliot; autotypes of allegories by Mr G. Watts for Roebuck believed in the fine arts with all the earnestness of a man who does not understand them , and an impression of Dupont's engraving of Delaroche's Beaux Artes hemicycle, representing the great men of all ages. On the wall behind him, above the mantelshelf, is a family portrait of impenetrable obscurity. A chair stands near the writing table for the convenience of business visitors. Two other chairs are against the wall between the busts. A parlormaid enters with a visitor's card. Roebuck takes it, and nods, pleased.

Evidently a welcome caller. Mr Robinson is really an uncommonly nice looking young fellow. He must, one thinks, be the jeune premier; for it is not in reason to suppose that a second such attractive male figure should appear in one story. The slim shapely frame, the elegant suit of new mourning, the small head and regular features, the pretty little moustache, the frank clear eyes, the wholesome bloom and the youthful complexion, the well brushed glossy hair, not curly, but of fine texture and good dark color, the arch of good nature in the eyebrows, the erect forehead and neatly pointed chin, all announce the man who will love and suffer later on. And that he will not do so without sympathy is guaranteed by an engaging sincerity and eager modest serviceableness which stamp him as a man of amiable nature.

The moment he appears, Ramsden's face expands into fatherly liking and welcome, an expression which drops into one of decorous grief as the young man approaches him with sorrow in his face as well as in his black clothes. Ramsden seems to know the nature of the bereavement. As the visitor advances silently to the writing table, the old man rises and shakes his hand across it without a word: a long, affectionate shake which tells the story of a recent sorrow common to both. We must all face it someday. Sit down.

Yes: we must face it, Mr Ramsden. But I owed him a great deal. He did everything for me that my father could have done if he had lived. But he had daughters; and yet he was as good to my sister as to me. And his death was so sudden! I always intended to thank him—to let him know that I had not taken all his care of me as a matter of course, as any boy takes his father's care. But I waited for an opportunity and now he is dead—dropped without a moment's warning. He will never know what I felt.

How do we know that, Octavius? He may know it: we cannot tell. Don't grieve. That's right. Now let me tell you something to console you. The last time I saw him—it was in this very room—he said to me: "Tavy is a generous lad and the soul of honor; and when I see how little consideration other men get from their sons, I realize how much better than a son he's been to me. Doesn't that do you good? Mr Ramsden: he used to say to me that he had met only one man in the world who was the soul of honor, and that was Roebuck Ramsden.

Oh, that was his partiality: we were very old friends, you know. But there was something else he used to say about you. I wonder whether I ought to tell you or not! Well, he said he was glad, after all, you were not his son, because he thought that someday Annie and you—[Octavius blushes vividly]. Well, perhaps I shouldn't have told you. But he was in earnest. Oh, if only I thought I had a chance! You know, Mr Ramsden, I don't care about money or about what people call position; and I can't bring myself to take an interest in the business of struggling for them. Well, Ann has a most exquisite nature; but she is so accustomed to be in the thick of that sort of thing that she thinks a man's character incomplete if he is not ambitious.

She knows that if she married me she would have to reason herself out of being ashamed of me for not being a big success of some kind. You're too modest. What does she know about the real value of men at her age? Her father's wish would be sacred to her. Do you know that since she grew up to years of discretion, I don't believe she has ever once given her own wish as a reason for doing anything or not doing it. It's always "Father wishes me to," or "Mother wouldn't like it. I have often told her she must learn to think for herself. Well, perhaps not. No: of course not. I see that. No: you certainly couldn't. But when you win her on your own merits, it will be a great happiness to her to fulfil her father's desire as well as her own. Oh, you shan't need to. She'll accept you, my boy—although [here he suddenly becomes very serious indeed] you have one great drawback.

I should rather say which of my many drawbacks? I'll tell you, Octavius. I have in my hand a copy of the most infamous, the most scandalous, the most mischievous, the most blackguardly book that ever escaped burning at the hands of the common hangman. I have not read it: I would not soil my mind with such filth; but I have read what the papers say of it. The title is quite enough for me. Now, Octavius, I know that my dead friend was right when he said you were a generous lad. I know that this man was your schoolfellow, and that you feel bound to stand by him because there was a boyish friendship between you.

But I ask you to consider the altered circumstances. You were treated as a son in my friend's house. You lived there; and your friends could not be turned from the door. This Tanner was in and out there on your account almost from his childhood. He addresses Annie by her Christian name as freely as you do. Well, while her father was alive, that was her father's business, not mine. This man Tanner was only a boy to him: his opinions were something to be laughed at, like a man's hat on a child's head.

But now Tanner is a grown man and Annie a grown woman. And her father is gone. We don't as yet know the exact terms of his will; but he often talked it over with me; and I have no more doubt than I have that you're sitting there that the will appoints me Annie's trustee and guardian. It's not fair: it's not right: it's not kind. What are you going to do about it? But Ann herself has told Jack that whatever his opinions are, he will always be welcome because he knew her dear father. As he speaks, he fumes down to Herbert Spencer, who receives him still more coldly] Excuse me, Octavius; but there are limits to social toleration.

You know that I am not a bigoted or prejudiced man. You know that I am plain Roebuck Ramsden when other men who have done less have got handles to their names, because I have stood for equality and liberty of conscience while they were truckling to the Church and to the aristocracy. Whitefield and I lost chance after chance through our advanced opinions. But I draw the line at Anarchism and Free Love and that sort of thing. If I am to be Annie's guardian, she will have to learn that she has a duty to me. I won't have it: I will not have it. She must forbid John Tanner the house; and so must you. He's upstairs in the drawingroom with Miss Ramsden. You must see him, even if it's only to turn him out. I must say that of all the confounded pieces of impertinence—well, if these are Anarchist manners I hope you like them.

And Annie with him! A— [he chokes]. Yes: that's what surprises me. He's so desperately afraid of Ann. There must be something the matter. Mr John Tanner suddenly opens the door and enters. He is too young to be described simply as a big man with a beard. But it is already plain that middle life will find him in that category. He has still some of the slimness of youth; but youthfulness is not the effect he aims at: his frock coat would befit a prime minister; and a certain high chested carriage of the shoulders, a lofty pose of the head, and the Olympian majesty with which a mane, or rather a huge wisp, of hazel colored hair is thrown back from an imposing brow, suggest Jupiter rather than Apollo. He is prodigiously fluent of speech, restless, excitable mark the snorting nostril and the restless blue eye, just the thirty-secondth of an inch too wide open , possibly a little mad.

He is carefully dressed, not from the vanity that cannot resist finery, but from a sense of the importance of everything he does which leads him to make as much of paying a call as other men do of getting married or laying a foundation stone. A sensitive, susceptible, exaggerative, earnest man: a megalomaniac, who would be lost without a sense of humor. Just at present the sense of humor is in abeyance.

To say that he is excited is nothing: all his moods are phases of excitement. He is now in the panic-stricken phase; and he walks straight up to Ramsden as if with the fixed intention of shooting him on his own hearthrug. But what he pulls from his breast pocket is not a pistol, but a foolscap document which he thrusts under the indignant nose of Ramsden as he exclaims—. Do you know who is appointed Ann's guardian by this will?

You and I, man. Both of us! It's only too hideously true. Ramsden: get me out of it somehow. You don't know Ann as well as I do. She'll commit every crime a respectable woman can; and she'll justify every one of them by saying that it was the wish of her guardians. She'll put everything on us; and we shall have no more control over her than a couple of mice over a cat. This chap's in love with her: that's another complication.

Well, she'll either jilt him and say I didn't approve of him, or marry him and say you ordered her to. I tell you, this is the most staggering blow that has ever fallen on a man of my age and temperament. Let me see that will, sir. I cannot believe that my old friend Whitefield would have shown such a want of confidence in me as to associate me with— [His countenance falls as he reads]. It's all my own doing: that's the horrible irony of it. He told me one day that you were to be Ann's guardian; and like a fool I began arguing with him about the folly of leaving a young woman under the control of an old man with obsolete ideas.

I had just finished an essay called Down with Government by the Greyhaired; and I was full of arguments and illustrations. I said the proper thing was to combine the experience of an old hand with the vitality of a young one. Hang me if he didn't take me at my word and alter his will—it's dated only a fortnight after that conversation—appointing me as joint guardian with you! What's the good of that? I've been refusing all the way from Richmond; but Ann keeps on saying that of course she's only an orphan; and that she can't expect the people who were glad to come to the house in her father's time to trouble much about her now.

That's the latest game. An orphan! It's like hearing an ironclad talk about being at the mercy of the winds and waves. Stand by her! What danger is she in? She has the law on her side; she has popular sentiment on her side; she has plenty of money and no conscience. All she wants with me is to load up all her moral responsibilities on me, and do as she likes at the expense of my character. I can't control her; and she can compromise me as much as she likes. I might as well be her husband.

You can refuse to accept the guardianship. I shall certainly refuse to hold it jointly with you. Yes; and what will she say to that? Just that her father's wishes are sacred to her, and that she shall always look up to me as her guardian whether I care to face the responsibility or not. You might as well refuse to accept the embraces of a boa constrictor when once it gets round your neck. I will tell you. He sounded me about it; but I refused the trust because I loved her. I had no right to let myself be forced on her as a guardian by her father. He spoke to her about it; and she said I was right. You know I love her, Mr Ramsden; and Jack knows it too. If Jack loved a woman, I would not compare her to a boa constrictor in his presence, however much I might dislike her [he sits down between the busts and turns his face to the wall].

I do not believe that Whitefield was in his right senses when he made that will. You have admitted that he made it under your influence. You ought to be pretty well obliged to me for my influence. He leaves you two thousand five hundred for your trouble. He leaves Tavy a dowry for his sister and five thousand for himself. He leaves me nothing but the charge of Ann's morals, on the ground that I have already more money than is good for me. That shows that he had his wits about him, doesn't it? He is a man of honor, and incapable of abusing—. Don't, Tavy: you'll make me ill.

I am not a man of honor: I am a man struck down by a dead hand. Tavy: you must marry her after all and take her off my hands. And I had set my heart on saving you from her! Yes, a lifetime of happiness. If it were only the first half hour's happiness, Tavy, I would buy it for you with my last penny. But a lifetime of happiness! No man alive could bear it: it would be hell on earth. Talk sense; or else go and waste someone else's time: I have something better to do than listen to your fooleries [he positively kicks his way to his table and resumes his seat].

You hear him, Tavy! Not an idea in his head later than eighteen-sixty. We can't leave Ann with no other guardian to turn to. I am proud of your contempt for my character and opinions, sir. Your own are set forth in that book, I believe. You've got my book! What do you think of it? I did not buy it, sir. It has been sent me by some foolish lady who seems to admire your views. I was about to dispose of it when Octavius interrupted me. I shall do so now, with your permission. You have no more manners than I have myself. However, that saves ceremony between us. What do you intend to do about this will? Aren't we forgetting that Ann herself may have some wishes in this matter?

I quite intend that Annie's wishes shall be consulted in every reasonable way. But she is only a woman, and a young and inexperienced woman at that. Ann will do just exactly what she likes. And what's more, she'll force us to advise her to do it; and she'll put the blame on us if it turns out badly. So, as Tavy is longing to see her—. You lie, Tavy: you are. So let's have her down from the drawing-room and ask her what she intends us to do. Off with you, Tavy, and fetch her. And don't be long for the strained relations between myself and Ramsden will make the interval rather painful [Ramsden compresses his lips, but says nothing—]. Yet even I cannot wholly conquer shame. We live in an atmosphere of shame.

We are ashamed of everything that is real about us; ashamed of ourselves, of our relatives, of our incomes, of our accents, of our opinions, of our experience, just as we are ashamed of our naked skins. Good Lord, my dear Ramsden, we are ashamed to walk, ashamed to ride in an omnibus, ashamed to hire a hansom instead of keeping a carriage, ashamed of keeping one horse instead of two and a groom-gardener instead of a coachman and footman. The more things a man is ashamed of, the more respectable he is. Why, you're ashamed to buy my book, ashamed to read it: the only thing you're not ashamed of is to judge me for it without having read it; and even that only means that you're ashamed to have heterodox opinions.

Look at the effect I produce because my fairy godmother withheld from me this gift of shame. I have every possible virtue that a man can have except—. All you mean by that is that you think I ought to be ashamed of talking about my virtues. You don't mean that I haven't got them: you know perfectly well that I am as sober and honest a citizen as yourself, as truthful personally, and much more truthful politically and morally. I will not allow you or any man to treat me as if I were a mere member of the British public. I detest its prejudices; I scorn its narrowness; I demand the right to think for myself.

You pose as an advanced man. Let me tell you that I was an advanced man before you were born. I am as advanced as ever I was. I defy you to prove that I have ever hauled down the flag. I am more advanced than ever I was. I grow more advanced every day. No: I am only the most impudent person you've ever met. That's your notion of a thoroughly bad character. When you want to give me a piece of your mind, you ask yourself, as a just and upright man, what is the worst you can fairly say of me.

Thief, liar, forger, adulterer, perjurer, glutton, drunkard? Not one of these names fit me. You have to fall back on my deficiency in shame. Well, I admit it. I even congratulate myself; for if I were ashamed of my real self, I should cut as stupid a figure as any of the rest of you. Cultivate a little impudence, Ramsden; and you will become quite a remarkable man. You have no desire for that sort of notoriety. Bless you, I knew that answer would come as well as I know that a box of matches will come out of an automatic machine when I put a penny in the slot: you would be ashamed to say anything else.

The crushing retort for which Ramsden has been visibly collecting his forces is lost for ever; for at this point Octavius returns with Miss Ann Whitefield and her mother; and Ramsden springs up and hurries to the door to receive them. Whether Ann is good-looking or not depends upon your taste; also and perhaps chiefly on your age and sex. To Octavius she is an enchantingly beautiful woman, in whose presence the world becomes transfigured, and the puny limits of individual consciousness are suddenly made infinite by a mystic memory of the whole life of the race to its beginnings in the east, or even back to the paradise from which it fell.

She is to him the reality of romance, the leaner good sense of nonsense, the unveiling of his eyes, the freeing of his soul, the abolition of time, place and circumstance, the etherealization of his blood into rapturous rivers of the very water of life itself, the revelation of all the mysteries and the sanctification of all the dogmas. To her mother she is, to put it as moderately as possible, nothing whatever of the kind. Not that Octavius's admiration is in any way ridiculous or discreditable.

Ann is a well formed creature, as far as that goes; and she is perfectly ladylike, graceful, and comely, with ensnaring eyes and hair. Besides, instead of making herself an eyesore, like her mother, she has devised a mourning costume of black and violet silk which does honor to her late father and reveals the family tradition of brave unconventionality by which Ramsden sets such store. But all this is beside the point as an explanation of Ann's charm. Turn up her nose, give a cast to her eye, replace her black and violet confection by the apron and feathers of a flower girl, strike all the aitches out of her speech, and Ann would still make men dream.

Vitality is as common as humanity; but, like humanity, it sometimes rises to genius; and Ann is one of the vital geniuses. Not at all, if you please, an oversexed person: that is a vital defect, not a true excess. She is a perfectly respectable, perfectly self-controlled woman, and looks it; though her pose is fashionably frank and impulsive. She inspires confidence as a person who will do nothing she does not mean to do; also some fear, perhaps, as a woman who will probably do everything she means to do without taking more account of other people than may be necessary and what she calls right. In short, what the weaker of her own sex sometimes call a cat. Nothing can be more decorous than her entry and her reception by Ramsden, whom she kisses.

The late Mr Whitefield would be gratified almost to impatience by the long faces of the men except Tanner, who is fidgety , the silent handgrasps, the sympathetic placing of chairs, the sniffing of the widow, and the liquid eye of the daughter, whose heart, apparently, will not let her control her tongue to speech. Ramsden and Octavius take the two chairs from the wall, and place them for the two ladies; but Ann comes to Tanner and takes his chair, which he offers with a brusque gesture, subsequently relieving his irritation by sitting down on the corner of the writing table with studied indecorum. Octavius gives Mrs Whitefield a chair next Ann, and himself takes the vacant one which Ramsden has placed under the nose of the effigy of Mr Herbert Spencer.

Mrs Whitefield, by the way, is a little woman, whose faded flaxen hair looks like straw on an egg. She has an expression of muddled shrewdness, a squeak of protest in her voice, and an odd air of continually elbowing away some larger person who is crushing her into a corner. One guesses her as one of those women who are conscious of being treated as silly and negligible, and who, without having strength enough to assert themselves effectually, at any rate never submit to their fate.

There is a touch of chivalry in Octavius's scrupulous attention to her, even whilst his whole soul is absorbed by Ann. Ramsden goes solemnly back to his magisterial seat at the writing table, ignoring Tanner, and opens the proceedings. I am sorry, Annie, to force business on you at a sad time like the present. But your poor dear father's will has raised a very serious question. You have read it, I believe? I must say I am surprised to find Mr Tanner named as joint guardian and trustee with myself of you and Rhoda. They all look portentous; but they have nothing to say. Ramsden, a little ruffled by the lack of any response, continues] I don't know that I can consent to act under such conditions.

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